Contributors, Volume 32
CURT CACIOPPO is Associate Professor of Music at Haverford College. A composer, he has had recent premieres by the Chicago Symphony, Milwaukee Symphony and Yale Symphony orchestras. He currently is working on a commission for the Emerson String Quartet.
ANN DORR teaches voice at Wayne State College and at Northwestern College in Iowa. Before coming to that area, she sang with the Opera da Camera and Provo Muse in New York City, and has sung for United Cerebral Palsy telethons throughout the Midwest.
WALTER EVERETT is Assistant Professor of Music Theory at The University of Michigan. He currently is writing a book, An Analytical History of the Music of The Beatles. His analytical essays on text-music relationships in song and opera, drawing from the musics of Mozart and Schubert as well as the Beatles, appear in The Musical Quarterly, Music Analysis, the Mozart-Jahrbuch, Theory and Practice, and In Theory Only.
ELIZABETH S. GOULD is currently the Associate Director of the Community Music School at Michigan State University, which opened in 1993. Prior to that, she served as both the Community Outreach Director and Interim Executive Director of the Brooklyn Conservatory of Music, the oldest continuous community music school in New York City. Her teaching experience includes public schools in New York, Wyoming, and the Crow Indian Reservation in Montana. She currently is completing a Doctor of Musical Arts degree in music education and wind ensemble conducting at the University of Oregon.
PETER KAMINSKY has published work on the piano music of Robert Schumann, rhythmic theory and Paul Simon. His present interests include the music of Ravel, temporal process in music, text-music relationships, and connections between speech-act theory and music analysis. He currently is Assistant Professor of Music Theory at the University of Connecticut.
ALBERT LEBLANC is Professor of Music and Associate Director for Graduate Studies in the School of Music at Michigan State University. He served for several years as a full-time evaluation specialist with the Aesthetic Education Program of CEMREL, Inc., a federally supported educational development laboratory based in St. Louis, Missouri. His interest in the evaluation of college music teaching stems from his experiences as a teacher, as a member of peer review committees, and as an administrator.
CAROL J. OJA is Director of the Institute for Studies in American Music and Associate Professor at Brooklyn College and the Graduate School of the City University of New York. Her most recent book, Colin McPhee: Composer in Two Worlds (Smithsomian Press), received an ASCAP-Deems Taylor award, and she presently is at work on a musical and cultural study of American modernist composers in the 1920s.
GARY POTTER is Associate Professor and Coordinator of Undergraduate Studies in Music Theory at Indiana University. His interests include theory pedagogy, teaching musical skills, twentieth-century music, and jazz studies.
M. FLETCHER REYNOLDS practices law at the firm of Carrington, Coleman, Sloman & Blumenthal, L. L. P. in Dallas, Texas. He earned his doctorate in music theory at the University of Kansas and his law degree at Tulane University. His law practice involves general civil litigation and intellectual property.
BEVERLY SOLL is a member of the music faculty at Wayne State College and Director of the Center for Cultural Outreach. Before coming to Wayne, she taught piano and accompanying at George Mason University and was active as a coach-accompanist throughout the Washington, D.C. area. She previously has worked at the University of Illinois and the State University of New York at Geneseo.
DAVID H. SYMTH is Associate Professor and Coordinator of Music Theory at Louisiana State University. He has published articles in Journal of the Arnold Schoenberg Institute, Theory and Practice, Music Theory Spectrum, Beethoven Forum and others.
THOMAS WARBURTON has been a member of the musicology faculty at the University of North Carolina since 1969. This past year, in collaboration with Hans Joachim Marx, he published the Saint Galler Orgelbuch, an edition of the Sicher organ tablature from the 16th century.
DAVID WILLOUGHBY is Professor Emeritus of Music at Eastern New Mexico University. He now serves as Interim Head of the Music Department at Susquehanna University in Pennsylvania. Willoughby is a Past President of The College Music Society and is now preparing the third edition of his music appreciation text, The World of Music.
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