Great Lakes • Great Plains • Mid-Atlantic • Northeast • Pacific Central
Pacific Northwest • Pacific Southern • Rocky Mountain • South Central • Southern
Great Lakes
Friday, March 30, 2001
7:30 PM SESSION 1: CONCERT
Presser Recital Hall
Rebellion for Trombone, Piano, and Percussion (1983) by Stephen Rush (University of Michigan)
- William Mathis, Assistant Professor of Trombone, Bowling Green State University
- Roger Schupp, Associate Professor of Percussion, Bowling Green State University
- Robert Satterlee, Assistant Professor of Piano, Bowling Green State University
- Roger Schupp, Associate Professor of Percussion, Bowling Green State University
Three Songs on Poems by Terry Jacobson (2000) by Michael Wittgraf (University of North Dakota)
- Anne Christopherson, Soprano/Assistant Professor of Music, University of North Dakota
- Humberto Almieda, Piano/Graduate Student, University of North Dakota
Duolog III for Bassoon and Piano (1998) by Ernesto Pellegrini (Ball State University)
- Keith Sweger, Associate Professor of Bassoon, Ball State University
- Hideko Fujiyama, Piano/Graduate Student, Ball State University
Intermission
Mount Union College Women’s Chorus
Dr. Scott W. Dorsey, Conductor
Saturday, March 31, 2001
8:15 - 9:15 a.m. SESSION 2 - Assessment Techniques
Cope 114
- Rubrics: Do They Measure Up?
- Joseph Eppink, Ball State University
- Developing Listening Skills: Alternative Assessments for Music Appreciation
- Jennifer Mishra, The University of Northern Iowa
8:15 - 9:15 a.m. SESSION 2 - Technological Applications
Presser Recital Hall
- Interactive Computer Use for the Music Appreciation Classroom
- Roberta Lindsey, Indiana University - Purdue University
- Music Instruction for the Visually Impaired: A Different Sort of Digital Divide
- Julianne Miranda, Depauw University
9:30 - 11:00 a.m. SESSION 3 - Innovations in Teaching Music Theory
Cope 114
- Popular Music as a Tool for Teaching Undergraduate Chromatic and Twentieth-Century Theory
- Kevin Holm-Hudson, University of Kentucky
- Peer Instruction in Music Theory
- Eleanor Trawick, Ball State University
- Relating Music Theory with Performance: The Freshman Lecture-Recital
- Shellie Gregorich, Mansfield University
9:30 - 11:00 a.m. SESSION 3 - Technology and Music
Presser Recital Hall
- Technology and Music: Parallel Universes
- Peter McAllister, Ball State University
- Expressive Conducting
- Paul Wiens, Wheaton College
- Yamaha Disklavier: Rehearsal and Performance Partner and Teacher
- Robert Hall, Huntington University
11:15 a.m. KEYNOTE ADDRESS
Presser Recital Hall
Dr. Peter Webster (Northwestern University)
Creative Thinking, Technology, and Constructionism: Crossing the Streams for Better Music Teaching
1:30 - 3:00 p.m. SESSION 4 - Curricular Approaches
Cope 114
- The Relationship Between The Undergraduate Music Methods Class Curriculum and the Use of Music in the Classrooms of In-Service Elementary Teachers
- Tonya Gray, Forestbrook Middle School
- Development and Implementation of a Community College Music Technology Degree
- Richard Repp, Terra Community College
- Raising the Standards: An Innovative Music Teacher Education Curriculum
- Don Ester, Ball State University
1:30 - 3:00 p.m. SESSION 4 - Performance Practice, Multiculturalism
Presser Recital Hall
- Advanced Studies in Performance - Basic Information
- Lorna MacDonald, University of Toronto
- The Powerful Mind: How Musicians Can Mentally Prepare for Performance
- Tess Miller, Michigan State University
- From What Does it Matter to the Heart of the Matter: The Application of a Multicultural Education Framework in Undergraduate Music Programs
- David Harnish, Bowling Green State University;
- Barbara O’Hagin, Bowling Green State University
3:30 - 4:30 p.m. SESSION 5 - Learning Communities and Aural Skills
Cope 114
- Light Refreshments Will Be Served; or How to Get the Senior Faculty to Attend a Teaching Circle
- Denise Seachrist, Kent State University
- Post-Tonal Improvisation in the Aural Skills Classroom
- Peter Silberman, Oberlin Conservatory
3:30 - 4:30 p.m. SESSION 5 - Community College Issues
Presser Recital Hall
- Panel Discussion: The Role of Community Colleges in Music Higher Education
- Mary Scanlan, Grand Rapids Community College (moderator);
- Barbara Bowker Ellis, William Rainey Harper College;
- Richard Repp, Terra Community College;
- Carol VanRandwyck, Grand Rapids Community College
- Barbara Bowker Ellis, William Rainey Harper College;
Great Plains
FRIDAY, March 2
Session I Chair: Mary Lee Cochran, Kansas State University
- Women Brass Players in Jazz 1860-1960
- Mary Woodbury, University of Tennessee at Martin
- The American Fuguing Tune Marks of Distinction
- Maxine Fawcett-Yeske, Nebraska Wesleyan University (Lincoln, NE)
- Like a Beam of Light at the end of a tunnel...Motivic Transformation in Joan Tower's 'Night Fields'
- Karen Ernst, Graduate Student, University of Kansas, (Lawrence, KS)
- The Symphonies of Ellen Taaffe Zwilich
- Craig B. Parker, Kansas State University (Manhattan, KS)
Session II Chair: Byron Jensen, Ottawa University, Ottawa, KS
- Nichols George Julius Ballanta-Taylor, An Introduction to his Opera 'Afiwa'
- Dyke Kiel, Cottey College (Nevada, MO)
- Iron, Lion, Zion Biblical References in the Lyrics of Bob Marley
- David Moskowitz, Graduate Student, University of Kansas (Lawrence, KS)
- Lecture/Recital: The Journey of the Soul in Walt Whitman's 'A Clear midnight' and 'Joy, Shipmate, Joy!' seen through the musical perspective of Ralph Vaughan-Williams and Lee Hoiby
- Robert Jones, baritone; Andrew Froehlich, piano, North Dakota State University (Fargo, ND)
Great Plains Chapter Composers' Recital Featuring the music of Andrew Houchins, Jeffrey L. Prater, Darleen Mirchell, Thomas Ediger, Timothy R. Crowley
SATURDAY, March 3
Session III Chair: Ian Coleman, Manhattan Christian College, Manhattan, KS
- Penderecki's Violin Concerto Pitch Organization and Motivic Usage
- Mark L. Holmberg, University of Kansas (Lawrence, KS)
- Lecture/Recital: Ragtime Women
- Mary Lee Cochran, flute; William Wingfield, piano, Kansas State University (Manhattan, KS)
Session IV Chair: Ian Coleman, Manhattan Christian College, Manhattan, KS
- Chansons a la Mode Pietro Aron and his elusive Processo
- Michael D. Jones, University of Iowa (Iowa City, IA)
- A History of Kansas State's Music Department Liberalizing an Agricultural College
- Byron Jensen, Ottawa University (Ottawa, KS)
Mid-Atlantic
Friday, 23 March
2:00-4:00 p.m.
Session I
- Jean Cocteau: The Composer's Muse
- Rebecca Ocampo
- Early Romantic Songs of the Harp
- Emily Laurence
- Szymanowski's Children's Rhymes
- Laura Kafka Karol
- Samuel Coleridge-Taylor's Twenty- Four Negro Melodies, op. 59
- David Shaffer-Gottshalk
Session II
- The Dommusikkapelle of St. Stephan's in Vienna
- Geraldine Rohling
- The Luigi Silva Collection at UNC Greensboro
- J.W. Turner
- Give Me Silence, Space, and Dance: The Pianistic Style of Thelonius Monk
- Kwasi Ampene
- Asheville, Winter of 1943-44: Béla Bartók in North Carolina
- Carl Leafstedt
4:30-5:30 p.m.
Composers' Recital No. 1
8:00 p.m. - Keynote Presentation by David
Amram, Author, Composer, Performer
Mr. Amram will speak on the breaking down of barriers
between diverses musics and what this portends for the
future of music.
Saturday, 24 March
8:30-10:30 a.m.
Session I
- The Piano Music of Albert Roussel
- Patricia Brady
- Why Not Griffes?
- Lise Keiter-Brotzman
- Selected Elementary and Intermediate Piano-Teaching Repertory by Brazilian Composers
- Maritza Mascheras-Sadowsky
- Armorial Trumpet Music: Brazilian Folklore in the Works of Jos‚ Ursicino da Silva
- Luis Engelke
Session II
- A Course in International Music Education
- Stephen Zdzinski
- The Sounds and Science of Surprise: Chaos Theory and Musical Improvisation
- David Borgo
- Charles Ives: Music of a Mongrel Civilization
- Mairi Thompson
- Approaching Mosaics: The Menuet and Trio from Schoenberg's Suite, op. 25
- John Vander Weg
CMS Composers' Recital No. 2
12:00-1:00 p.m.
CMS-MA Workshop with
David Amram on the Bebop Generation of Jazz Musicians
Northeast
Friday, April 27, 2001
Paper Session I:
1:30 – 3:30 pm The Community College in Music Higher Education
Session Chair: Barbara J. Liebhaber, Moravian College
Music for All? How Community Colleges Fulfill the Needs of Their Music Students, Marianne M. Murawski, Richard Stockton College of New Jersey
The Community College Music Major Transfer Student – Real Problems and Real Solutions, Michael Kinney, SUNY Broome Community College
Creating a Curriculum for the Instrumental Studio in the Community College: Expectations and Reality, Petar Kodzas, Eastman School of Music, University of Rochester
Noteworthy Exchange: The Benefits, Challenges and Future of Videoconferencing Technology for Music Performance and Education, Christianne Orto, Manhattan School of Music
3:45 – 5:30 pm The Undergraduate Music Curriculum
Session Chair: Diane Follet, Muhlenberg College
The BA in Music: the Possibilities and Challenges for Interdisciplinary Education in Music, Stan Pelkey, Gordon College
Perspectives on a Liberal Arts Music Program (Including Jazz Studies), Norman David, Ursinus College
Panel: Structuring the Undergraduate Music Education Program: Meeting State Program Certification Requirements While Keeping Philosophical Integrity, John C. Coggiola, Syracuse University; Keith Kaiser, Ithaca College; Katia Madsen, Syracuse University; Linda Thompson, State University of New York at Potsdam; Linda Thorton, State University of New York at Fredonia
CMS Composers Concert #1 (Reception following)
Works by Brickman, Gerard, Sacco, Stewart, Pardus, Mattingly, and Nelson
Saturday, April 28, 2001
Paper Session II:
9:00 – 10:30 am Active Learning
Session Chair: Barbara J. Liebhaber, Moravian College
Using the Dalcroze Approach at the College Level: A Tool for Sparking Active Learning, William R. Bauer, Rutgers University
Beginning Conducting as Applied Study, Wayne Abercrombie, University of Massachusetts
Transformative Teaching and Learning: The Perils of Active Learning Styles, Cathy Kassell, New York University
10:45 – 12:15 pm Love, War, and Death
Session Chair: Diane Follet, Muhlenberg College
Lasciatemi morire: Love and Death in the Biographies of Claudio Monteverdi, Sebastian Zubieta, Yale University
A Voice for theTwenty-First Century: John Williams’ Star Wars, Nelly Maude Case, State University of New York at Potsdam
Recomposing a Requiem: An Examination of Robert Levin’s Completion of the Mozart Requiem, David A. McConnell, University of Cincinnati College-Conservatory of Music
Business Meeting/Lunch Banquet with Panel Discussion: "The Role of the Community College in Music Higher Education", Moderator: Edward Bedner, Berklee College of Music
Paper Session III:
2:00 – 3:45 pm Performance Studies
Introducing World Music to Beginning Pianists, David Patterson, University of Massachusetts Boston
Debussy, His Way: The Piano Rolls, Eleanor Carlson, University of Massachusetts Dartmouth
Stravinsky’s Pianism in "Three Movements from Petrouchka", Omri Shimron, Eastman School of Music
CMS Composers Concert #2
Works by Sachdev, Ferguson, Wiemann, Sherman, and Matthews
Pacific Central
Registration: 12:30 to 1:10 p.m.
Opening Remarks: 1:15 p.m.
- "The Question of Keyboard Idiom in the Sonatas of Joseph Haydn"
- Jonathan Rhodes Lee, San Francisco Conservatory of Music
Excerpts from Antigone - Mark Alburger
- "All About Sibelius Software"
- Ted Peterson, Sibelius Software
- "Reflections on the Collaborative Process: Interpreting Music for Dance"
- Renee Bond, University of Arizona
Sketches for Cello and Electronics - Bruce Christian Bennett
Mists of Sound for Piano Solo - Helena Michelson
Panel Discussion: "The Role of the Community College in Higher Education"
Pacific Northwest
Saturday, February 3
9:00 A.M. - 10:15 A.M.: Session I: Music and Culture
- "J.S. Bach and Biblical Mathematics"
- Julia Rice, College Park, GA
- "N.A. Rimskii-Korsakov’s Sinfonietta on Russian Themes: The Creation of a Russian Collective Cultural Identity in Music"
- Barry T. Bilderback, University of Oregon
10:30 A.M. -11:45 A.M.: Session II - Music and Culture
- "Cantata Interrupta: The ‘Storm Clouds’ music in Hitchcock’s The Man Who Knew Too Much"
- James Wierczbicki, Seattle, WA
- "Sankota in New Orleans: Ed Blackwell, the Second-Line Tradition, and Patterns in the Extended Drumset Solo"
- Gregory A. Campbell, University of Washington
- "Native American and Eastern European Influences on a Compositional Process"
- Greg A. Steinke, Marylhurst University
1:00 P.M. - 1:30 P.M.: Business Meeting
1:30 P.M. - 2:45 P.M.: Session III - Theory and Pedagogy
- "Hooks: Popular Music as a Teaching Tool in Theory and Ear Training"
- R. Dickow, University of Idaho
- "Analyzing Dissonance: A Place for Timbre in Musical Analysis"
- Jonathan N. Middleton, Eastern Washington University
3:00 P.M. - 4:15 P.M.: Session IV - Recital, Administration Auditorium
- "Sonata for Flute and Piano"
- by Samuel Zyman, Merrie Siegel, flute, University of Idaho
- "Unfold-Entwine"
- Diane Thome, University of Washington
- The Telephone
- (Menotti), Palouse Opera Project, University of Idaho
4:30 P.M.- 5:30 P.M.: Session V - Panel Discussion
- 'The Role of the Community College in Music Higher Education'
- Panelists to include: William Perconti, Lewis and Clark State College and Richard Bishop, University of Idaho
Sunday, February 4
9:30 A.M.- 11:15 A.M.: Session V - Music and Performance
- "Circular Breathing and the Wind Performer"
- Joseph Brooks, Central Washington University
- "A Discussion and Performance of the Sonata for Flute and Piano by Samuel Zyman"
- Merrie Siegel, University of Idaho
- "For God Alone My Soul Waits in Silence"
- Walter B. Saul II, Warner
Pacific College
- "Elena Firsova’s Monolog: Continuing the Legacy of Edison Denisov"
- Shirley A. Diamond, University of Alaska - Fairbanks
Pacific Southern
Dan Hoskens — 10:30
Analyzing Texture in Varese's Octandre
Lorraine Min — 11:00
Style Characteristics of Gabriel Fauré’s Middle and Late Period
(Lecture demo)
John Weiss — 11:30
Vocal Health in Choral Rehearsals
Panel Discussion: Role of Community Colleges in Music Education — 1:30
Barbara Bennett
David Ward-Steinem — 2:30
Recording in the Czech Republic
Alex Shapiro — 3:00
Music for Two Big Instruments
Holly Roadfeldt-O'Riordan — 3:15
Interdisciplinary Connections: Piano Works Inspired by Poetry, Art, and
Architecture (Lecture demo)
Dave Kopplin — 3:45
Chronicle of an American Original: The Stormy Monday Blues
Rocky Mountain
FRIDAY, March 23
1:30-3:00 Session I: Topics in Romantic Music: Schubert and Liszt
- Musical Metaphor in Franz Schubert's Rast
- Sylvia Parker, University of Vermont
- Schubert's Erlkönig in the Theory Class
- Paul Metz, Colorado State University
- Tonal Experimentation in Liszt's Late Works: The Weakened Dominant
- Stefanie Dickinson, University of Georgia
3:30-4:30 Session II: Lecture Recitals
- Enhancing the Quality of a Weak Poem: Two Musical Settings of
- Whitman's "O Captain! My Captain!" by Kurt Weill and Lee Hoiby
- Robert Jones and Andrew Froelich, North Dakota State University
- The Accompanied Guitar Sonata in the Classical Era
- Kevin Garry, Front Range Community College
8:00 Concert of Music by CMS Composers and Performers
SATURDAY, March 24:
9:00-10:30 Session III: Diverse Approaches to Teaching Music History/World Music
- Session Chair: Gail Woldu, College Music Society National Board Member for Musicology
- Presenters:
- Stephanie Berg, Red Rocks Community College
- David Brinkman, University of Wyoming
- Larry Worster, The Metropolitan State College of Denver
10:45-11:45 Session IV: Panel Discussion: The Role of the Community College in Music Higher Education
- Chair: Tom Brosh, Aurora Community College
- Keynote Address by Gail Woldu
1:45-3:15 Session V: Topics in World Music and History
- Ancient Music Prior to the Greeks: Unlocking Ancient Egyptian Music Notation
- K Marie Stolba, Colorado Christian University
- The Jakob H. Wiebe Choir Book Manuscript: A Link in the Choral
- History of the German Mennonite Community in Canada
- Lyn Lamers, University of Saskatchewan
- World Flute Book Project
- Rod Garnett, University of Wyoming
3:30-5:00 Session VI: Topics in Pedagogy
- Developing Critical Listening and Observational Skills in Young Voice Teachers
- John Nix, University of Colorado at Denver
- Ferdinand Beyer's Vorschule im Klavierspiel, Op. 101 and Piano Pedagogy in Japan
- Hidemi Matsushita, Arapahoe Community College
- Isabella Vengerova, the Extraordinary Piano Pedagogue
- Zoe Erisman, University of Colorado at Denver
South Central
Friday, February 23
Session I
- 9:15 An American Treasure: The Vocal Works of Royal L. Brantley
- Joe Ella Cansler, West Texas A&M University
- 9:45 Spoken and Intoned Text as Structural Elements in Percussion Ensemble Compositions
- Daniel Adams, Texas Southern University
Session II
- 10:30 The Art and Science of Practice: A Review of the Literature
- Nancy Barry, University of Oklahoma
- 11:00 Pythagoras, Guido, and the Undergraduate Music Major
- Chris K. Thompson, Williams Baptist College
- 11:30 Shared Experience: Crossing the Boundaries Between Instrumental and Vocal Thinking
- Priscilla Ochran Holt, Southeastern Oklahoma State University
Session III
- 1:30 The Role of Gesture Within the Second Piano Sonata of Roger Sessions
- Bonnie S. Jacobi, University of Houston
- 2:00 The Menuett and Trio from Schoenberg's Suite, op. 25
- John D. Vander Weg, University of Texas-San Antonio
- 2:30 Expectations in Barbara Kolb's Umrian Colors
- Kristy Bryden, University of Wisconsin-Madison
Session IV
- 3:15 On the Canon of Musical Excellence and Alberto Ginastera
- Deborah Schwartz-Kates, University of Texas-San Antonio
- 3:45 Choral Music of Columbia: an Introductory Survey
- John McIntyre and Julian Gomez, Texas Christian University
- 4:15 Unity in Diversity: Form in Lutoslawski's Piano Concerto, Mvt. 4
- Laura Beech Kelly, University of Texas-San Antonio
- 4:45 The Performance of Rhythm: Interpreting Meter and Notation in Piano Literature
- Carol Leone, Southern Methodist University
- Opening Evening Concert
- Lyrique Woodwind Quintette
- University of Arkansas Scola Cantorum, directed by Dr. David Saladino
Saturday, February 24
Session I
- 9:00 Tippett, Jung, and the Power of Opposites
- Amanda Stringer, University of Oklahoma
- 9:30 Psalms: A Link Between Jewish Temple and Synangogye and Byzantine Liturgical Traditions
- David and Kelley Puttmann, University of Central Arkansas
- 10:00 World Music: A Concert Presentation
- University of Central Oklahoma Cello Ensemble, Dr. Tess Remy-Schumacher, Director
Session II
- 10:45 Some Legal Implications in Academic Advising in Music
- Jeffrey Showell, University of Central Arkansas
- 11:15 Panel Presentation: The Role of the Community College in Music Higher Education
Session III
- 2:00 Something Old, Something New, Something Borrowed, Something Blue
- University of Central Oklahoma Trumpet Ensemble, James Klages, Director
- 2:30 Mallarme's L'Apres-midi dun faune and Debussy's Musical Analogue: a Study in Poetical - Musical Intertextuality
- John E. Crotty, West Virginia University
- 3:00 Lecture Recital: Allusion in William Albright's Five Chromatic Dances for Piano
- Randall Sutton, East Texas Baptist University
Concert of CMS Composers
- The Risk of Birth
- Mark Dal Porto
- Three Pieces for Clarinet
- Paul Dickinson
- Two Pieces for Piano
- Playscapes for Solo Piano
- Ken Metz
- Spider Etudes
- Mark Francis
- Spirits of the Dead (Poems of Edgar Allen Poe)
- Phillip Schroeder
Southern
Thursday, March 1
SESSION 1A Sawyer Auditorium, Fine Arts Building
- 1:30 On the Various Fugue Subjects from Gradus ad Parnassum by Johann Joseph Fux
- J. Ryan Garber, Florida State University
- 2:00 Piecing Together the Past
- Jacquelyn A. Royal, Florida State University
- 3:00 There But for the Grace of God Goes Tom King: A Spotty History of the Operatic Castrato, from Eighteenth Century Accounts to Twentieth Century CD's
- Robert F. Schmalz, University of Louisiana at Lafayette
SESSION 1B Room 156 Fine Arts Building
- 1:30 Fanny in Italy: The Composer as Travel Writer
- Marian Wilson Kimber, University of Southern Mississippi
- 2:00 Diana McIntosh: A Canadian Original
- Linda M. Black, University of Florida
- 2:30 Amy Cheney Beach's Robert Burns Songs: American Nationalism?
- Jennifer Oates, Florida State University
SESSION 1C Sawyer Auditorium, Fine Arts Building
- 3:15 Text Inspired Works by Georgia CMS Composers
- Brent Weaver, Clayton State College and University, Daniel Taddie, Columbus State University, Roger Vogel, University of Georgia, Carol Gingerich, State University of West Georgia, Larry Frazier, State University of West Georgia, Ann Taddie, Columbus, Georgia, and Gerald Farmer, State University of West Georgia
- 3:45 A Lecture/Recital on Paul Turok's Sonata for Alto Saxophone and Piano, Op.73 (1988)
- Linda Li-Bleuel, Clemson University and John Bleuel, University of West Georgia
- 4:15 Liza Lehmann - (1862-1918) Or That's Liza (Leezaaa) - if you please
- Cheryl Boyd-Waddell, Clayton College and State University
SESSION 1D Room 156, Fine Arts Building
- 3:15 A Pedagogy of Tolerance: Teaching Schoenberg's Expressionist Melodramas
- Elizabeth L. Keathley, University of Tennessee
- 3:45 Irish Rock Music: The Codes of Nationalism
- Kathleen Ross, University of Tennessee
- 4:15 Intercultural Trends in South Korean Music, c. 1960-1999
- John O. Robison, University of South Florida
SESSION 1E Sawyer Auditorium, Fine Arts Building
- 5:00 Twentieth-Century Brazilian Female Composers for the Piano
- Luciana Soares, University of Southern Mississippi
- 5:30 Early Music Publishers and Dealers in New Orleans
- Anne K. Simpson, Lafayette, Louisiana
SESSION 1F Room 156, Fine Arts Building
- 5:00 Liszt's Marche funbre for Maximilian I: A Musical Apotheosis
- Timothy D. Watkins, Florida State University
- 5:30 The Life and Music of Scott Joplin
- John De Chiaro, University of Southern Mississippi
- 8:00-Composers and Performers Concert #1, Sawyer Auditorium
- Works by Brownlow, Castelli, Harding, Kam, Kimber, Turner
Friday, March 2
SESSION 2A, Sawyer Auditorium, Fine Arts Building
- 8:45 Progress of a Method: Modes of Limited Transposition in the Early Works of Bela Bartok
- John Schuster-Craig, Clayton College & State University
- 9:15 The Genesis and Fate of Bela Bartok's 1907 Violin Concerto
- Alicja Irena Usarek, University of Texas at Austin
SESSION 2B Room 156, Fine Arts Building
- 8:45 Ethics and Aesthetics in Music Scholarship: An Exploration
- James M. Amend, Tallahassee, Florida
- 9:15 Raymond Ericson: Music Critic
- Irene Murphy, University of Florida
SESSION 2C Sawyer Auditorium, Fine Arts Building
- 10:00 Alberto Ginastera's Pampeana No. 1: a Lecture/Recital
- Michelle Tabor, Tallahassee, Florida and Camilo Acosta, Caracas, Venezuela
- 10:30 The Effect of the Revolution of 1930 upon Music Education in Brazil as Evidenced by Heitor Villa-Lobos's Program
- Elisa Macedo Dekaney, Florida State University
- 11:00 Music Education and Fascism: Villa-Lobos, the Estado Novo, and a National Music Education System
- Thomas George Caracas Garcia, State University of West Georgia
SESSION 2D Room 156, Fine Arts Building
- 10:00 An Analytical Perspective on the Wind Ensemble Music of Donald Grantham
- Greg Danner, Tennessee Technological University
- 10:30 Points of Departure: Aspects of Style in Cecil Taylor's Jazz Advance
- Douglas Corbin, Florida State University
- 11:00 The Re-Emergence of the Tango in the Last Quarter of the Twentieth Century
- James N. Anderson, Armstrong State University
SESSION 2E Sawyer Auditorium, Fine Arts Building
- 1:30 Messiaen's Technique du mon langage musical as illustrated by Primiere communion de la Vierge from Vingt regards sur l'enfant-Jesus
- Terry McRoberts, Union University
- 2:00 Songs by African-American Composers Published in the American Popular Press
- Bonny H. Miller, Southeastern Louisiana University
- 2:30 An Evening in Puerto Rico: The Piano Music of Gonzalo de J. Nunez
- Felix Rivera-Guzman, University of Puerto Rico
SESSION 2F Room 156 Fine Arts Building
- 1:30-3:00 Panel Discussion: Specific Concerns of Community and
Junior Colleges
- 3:15-4:45 Composers & Performers Concert #2, Sawyer Auditorium
- Works by Doppler, Garber, Hatfield, Jacobs, Sherr, Simpson, Tammereau, Vogel, and Wilson
SESSION 2G Sawyer Auditorium, Fine Arts Building
- 5:00 A Foggy Day in Valdosta: Song Settings of Carl Sandburg's Fog
- Marlane Fairleigh, Jacksonville, Alabama
- 5:30 Three Musical Snapshots of Asia Found in Gareth Farr's Kempang Suling for Flute and Marimba
- Lana Johns and Robert J. Damm, Mississippi State University
SESSION 2H location TBA
- 5:00 J. S. Bach and the Clavichord
- George Lucktenberg, Reinhardt College
8:00-VSU Opera presents, THE MAGIC FLUTE, Whitehead Auditorium, Fine Arts Bldg
Saturday, March 3
8:00-9:00 CMS Southern Chapter Annual 2001 Business Meeting, Sawyer Auditorium
- 9:00-9:45 Sawyer Auditorium
- KEYNOTE LECTURE: The History of the Piano, Eva Badura-Skoda
SESSION 3A Student Papers, Sawyer Auditorium, Fine Arts Building
- 10:00 The Life and the Career of the 17th Century Italian Singer
- Boguslava Dimitrova, University of Louisiana at Monroe
- 10:30 Prokofiev's 'War' Sonatas and Matters of Interpretation
- Jason Hibbard, University of Florida
- 11:00 Nationalistic Aspects in the Piano Music of Villa-Lobos
- Ilka Vasconcelos Araujo, University of Florida
- 11:45-1:15 Composers & Performers Concert #3, Sawyer Auditorium
- Works by Francis, Matascik, Montalto, Schirmer, Sung, and Taylor