Herbert Lee Riggins, Editor

ARTICLES

Beyond "Bach-Centrism": Historiographic Perspectives on Johann Sebastian Bach and Seventeenth-Century Music
Stephen A. Crist

An Analytical Approach to Seventeenth-Century Music:
Exploring Inganni in Fantasia Seconda (1608) by Girolamo Frescobaldi
Gene Trantham

Composers' Revisions and the Creative Process
Matthew Brown

Reflections on the Relationship of Analysis and Performance
Catherine Nolan

Schoenberg on the Modes:
Characteristics, Substitutes, and Tonal Orientation
Murray Dineen

Sketch Study and Analysis: Berg's Twelve Tone Music
Dave Headlam

Schoenberg's Theoretical Writings after the Harmonielehre: A Study of the Published and Unpublished Manuscripts
Severine Neff

Music as Organic Evolution: Schoenberg's Mythic Springboard Into the Future
William Thomson

Fluidity in Paul Simon's Graceland: on Text and Music in a Popular Song
James Benninghof

A "Requiem for the Requiem": On Stravinsky's Requiem Canticles
Jeffrey Perry

CAMPUS FOCUS

Lessons from a World: Balinese Applied Music Instruction and the Teaching of Western "Art" Music
Michael B. Bakan

Women Choral Conductors at the Collegiate Level: Status and Perspectives
Lori R. Hetzel and Kay Norton

CRITICISM

Deconstructing McClary: Narrative, Feminine Sexuality, and Feminism in Susan McClary's Feminine Endings
Elizabeth Sayrs

IM MEMORIAM

In Memoriam Arthur Komar (1934-1994)
Douglass M. Green

BOOK REVIEWS

Linear-Derived Harmony, by Arthur Komar
Michael R. Rogers

The American Musical Landscape, by Richard Crawford
Dale Cockrell

Opera on the Road: Traveling Opera Troupes in the United States, 1825-1860, by Katherine K. Preston
Opera in America: A Cultural History, by John Dizikes
Charlotte Greenspan