College Music Symposium

Volume 38, Fall 1998

College Music Symposium
$10.00 each

+

David Butler, Editor

IN MEMORIAM

Wilfred C. Bain: A Reminiscence In Memoriam
Ennis Williams

NONACENTENARY

The Musical World of Hildegard of Bingen
John White

ANALYSIS AND PERFORMANCE

On Miles and the Modes
William Thomson

J.S. Bach Teaches Us How to Compose: Four Pattern Preludes of the Well-Tempered Clavier
Joel Lester

MUSIC AND CULTURE

"A book of manners in the wilderness": The Model of University Music Education and its Relevance as Enabler in General Education in Ireland
Harry White

Of Irish Myth: A Response to Harry White
David J. Elliott and Kari K. Veblen

Viewing Music Education in the United States Through Irish Eyes: A Response to Harry White
Bennett Reimer

Ethnomusicology and Critical Pedagogy as Cultural Work: Reflections on Teaching and Fieldwork
Deborah Wong

MUSIC AND GENDER

Rereading Absence: Women in Medieval and Renaissance Music
Cynthia J. Cyrus and Olivia Carter Mather

Women as Leaders of Collegiate Bands, 1850-1980
Cheryl Jackson

Women Orchestral Conductors in America: The Struggle for Acceptance—An Historical View from the Nineteenth Century to the Present
Shelley M. Jagow

BOOK REVIEWS

Charlie Parker: His Music and Life, by Carl Woideck
Robert Rawlins

Vaughan Williams Studies, edited by Alain Frogley
William A. Everett

Ruth Crawford Seeger: A Composer's Search for American Music, by Judith Tick
Cyrilla Barr

Instrumentation and Orchestration, by Alfred Blatter
Roy J. Guenther

Family Values: The Lomax Family and American Folksong
Ron Pen