Glenn Stanley, Editor

The Trotter Lectures 2007 and 2008

The Trotter Lecture 2007: The College Music Society. A Distinguished History: A Challenging Future, Robert J. Werner

The Trotter Lecture 2008: Ruminations on the Center for Black Music Research, Samuel A. Floyd, Jr.

The Music Educator in the Academy and the Community

Greater Expectations: Teachers' Perceptions of their Students, William Budai

Developing Community-Based Music Initiatives, Jared Burrows

Survival of the Fittest: Towards an Evolutionary Model of Music Scholarship, Karen Fournier

Meeting Community and Campus Needs through Service Learning and Beginning Music Theory, Dorothy Hindman

The Future of Music Careers, Michael W. Millar

Academic Citizenship and Schools of Music in Twenty-First-Century "Engaged" Universities Dedicated to the Public Good, David R. Montano

College Applied Faculty: The Disjunction of Performer, Teacher, and Educator, Kelly A. Parkes

The Committee on Academic Citizenship: An Initiative of The College Music Society, Anne L. Patterson

Pre-Service Music Teachers' Perceptions of Social Justice and/or Social Consciousness as it Relates to Music Education, Patricia E. Riley

Partnerships between Tenure-Track and Adjunct Music Faculty in the Ethnomusicology Lecture Classroom: Some Models, Melinda Russell

A Review of the 1963 Yale Seminar, Robert J. Werner

Pedagogy in the Classroom

Resource Sharing for General Music: How To Teach A Diverse and Multicultural Curriculum Without Spending Extra Hours Reinventing the Wheel, Robin Armstrong

Changing the Stories We Tell: Repertoires, Narratives, Materials, Goals, and Strategies in Teaching Music History, J. Peter Burkholder

An Outsider's Guide to Classical Music: Teaching the Western Canon as "Other," Jonathan Chenoweth

Building Bridges: Same and Different Issues Across Music Theory, Music History, and Music Education, Mark Clague, Julie Evans, Karen Fournier, Maud Hickey, and Betty Anne Younker

Making Music Theory Click, Rebecca Dodson-Webster and Shellie Gregorich

Night & Day: Cole Porter, Hip Hop, Their Shared Sensibilities and Their Teachable Moments, Gena R. Greher

Blackboard and Wikis and Blogs, Oh My: Collaborative Learning Tools for Enriching Music History and Music Theory Courses, Cynthia Folio and Steven Kreinberg

Using Beatles Songs to Demonstrate Modulation Concepts, Richard Repp

The Ins and Outs of Teaching Composition: 1957-2007, Judith Shatin

Teaching Composers to Write for the Stage: A New Master's Degree Program at The Catholic University of America, Andrew Earle Simpson

Assessment-Driven Collaborative Learning, Pantelis N. Vassilakis

Music Teacher Education as Victory Garden, Lizbeth Wing

Strengthening the "History" in "Music History": An Argument for Broadening the Cross-disciplinary Base in Musicological Studies, Sandra Yang

Pedagogy in the Studio

Evaluating Music Performance: Politices, Pitfalls, and Successful Practices, Nancy H. Barry

The Importance of Being Earnest: Rapport in the Applied Studio, Jo Clemmons

From Beta to Theta: Human Consciousness, Hypnosis and Music Performance, Vanessa Cornett-Murtada

A Multi-Level Approach to More Secure Memorization, Stefanie Dickinson

Audio Recording as a Teaching Tool in Applied Music, Leonard Garrison

Improvisation in an Undergraduate New Music Ensemble: A Practical Guide, Darleen Mitchell

Secrets of the Studio: Changes in Performance Teaching, James Parakilas

Target Training: An Approach for the Acquisition of a More Efficient Vowel Production, Paul Smith

Studies in Analysis and Theroy, Ethnomusicology, and Musicology

Waging the Peace: Bernard Herrmann and The Day the Earth Stood Still, Anthony Bushard

"Return to Innocence": In Search of Ethnic Identity in the Music of the Amis of Taiwan, Chiung-Wen (Michelle) Chang

Beyond Childhood: Poulenc, La courte paille, and the Aural Envelope, Keith E. Clifton

Ravel, La Valse, and the Purloined Plot, Jessie Fillerup

Confluences of Vocal Techniques in Koji Nakano's Time Song II: Howling Through Time, Stacey Fraser

To the Bards: The Choral Works of Estonian Composer Ester Mägi, Heather MacLaughlin Garbes

Evolving Antiquity: Guqin Ideology and National Sentiment, Anne Henochowicz

Music as Narrator: Mahler, Mussorgsky, and Beethoven in Visconti's Death in Venice, James Larner

A Controversy Discarded and Ossian Revealed: An Argument for a Renewed Consideration of The Poems of Ossian, Paul F. Moulton

Crossing the Disciplinary Divide: Hermeneutics, Ethnomusicology and Musicology, Roger W. H. Savage

The Other World Music: Percussion as Purveyor of Cultural Cues in Exotic Lounge Music, Heather Sloan

"Oh My Son!": The Musical Origins and Function of King David's Lamentation, John D. Spilker

Pierrot lunaire at 95: Arnold Schoenberg's Musical Hybrid and Twentieth-Century Vocal Chamber Music, Virginia Sublett

Fifty Years of College Music Symposium: A Bibliography of Articles and Reviews, Robby D. Gunstream and Carol A. Ritter