Dale A. Olsen
"Lonely Sounds Blowing in the Wind—Voice of the shakuhachi" (A Haiku by Rev. John Seniff)
The shakuhachi, an ancient Japanese bamboo flute, is my major performing instrument. In 1981 I was honored to earn a natori diploma in Kinko-ryû (Kinko school) shakuhachi and a professional Japanese name (Bai-ô) from a Kyoto-born Japanese master, Iwami Baikyoku V. I earned the diploma, however, in Sao Paulo, Brazil, not in Japan.
As musicians we are often asked "what instrument do you play?" "Shakuhachi" is my answer. When asked this question nearly 25 years ago by a former colleague at The Florida State University, and upon giving him my answer, he retorted, "Oh, but I mean real music!" That was a long time ago, and today I don't get those types of comments, at least not out loud. I also know that few College Music Society members would make such a remark, since we have now gone "into the world" (see my column in the January Newsletter).
The above beautiful haiku written by one of my former shakuhachi students who is now an ordained Buddhist priest, is meant to bring me to my topic for this issue of the Newsletter—The College Music Society's third biennial international meeting to be held in Kyoto, Japan, from June 25 to July 1, 1999. Kyoto is one of the birthplaces of the shakuhachi, and is the locale of some of the most beautiful bamboo groves in the world. I remember well the last time I was in Japan, playing my shakuhachi in the various moss gardens or bamboo groves on the grounds of Buddhist temples in Kyoto and its environs. Diane (the CMS "first lady") remembers watching the facial expressions on some of the priests who were sweeping the walkways as they heard the lonely sounds of my shakuhachi echoing through the trees—they suddenly smiled. She never asked them if they smiled because they found enjoyment or humor in my playing.
Finally, if any of us have the time to spend several weeks in Japan after the CMS international conference, we shouldn't miss the unbelievable Gion Matsuri festival that begins on July 17 with a procession of floats (hoko) from the 9th century, pulled by festival participants. The Gion Matsuri is a mixture of Buddhist, Taoist, Confucian, Shinto, Persian, and even Dutch elements rolled into one rich multicultural tradition. Originating in 869 AD when Kyoto was the capital of Japan, it was an attempt by the inhabitants to counteract a plague that had killed thousands of people. To this day, 29 floats weighing up to 14 tons each are pulled through the downtown streets of Kyoto. Some of them are so high that all the electrical and telephone wires have to be dismantled for them to pass. Diane, our son Darin, and I experienced this festival in 1973, and I'm sure that today it hasn't changed a bit. After all, it's only been 26 years, and the festival has continued for 1,130 years. I hope you will be able to extend your visit to include this event.
The one thing I like the most about The College Music Society's international conferences is that we, as CMS members, are guaranteed an education. It's not that the national annual meetings are not educational—they are! The international conferences, however, are an educational experience, especially when we members participate in the pre- and post-conference activities. Once again, please read your brochure for the exciting details.
Since I began with a haiku, I will end with a poem about gagaku, the court music of Japan, another ancient tradition that has continued with little change. These words express the essence of many of the ancient musical traditions that you will hear this summer:
"Sounds of antiquity, Elegance enduring. . . . When all sound together a Cosmos can be heard, Imagined by those now distant, Elegant in the flickering candle of time." (from Gagaku Homepage: http://www.zipangu.com/Gagaku/index.ENG.html)